Seymourpowell designs spaceship interiors for Virgin Galactic


The VSS Consistency spaceship has a range of “soft” interior features designed for weightlessness, as away as technology geared towards social media.

Commercial play company Virgin Galactic has revealed the interiors of its space craft, which possess been designed in collaboration with London-based design consultancy Seymourpowell.

The VSS Uniting has six seats for passengers, and will take them 60 miles more than the Earth. Tickets cost around £190,000.

According to Virgin and Seymourpowell, the aim was to mature an “elegant but progressive, experience-focused concept for the cabin”. The total in-flight acquaintance has also been considered, especially with regards to the social angles of the space trips.

Virgin has also launched an AR app for the reveal which transfers “aspiring astronauts and space enthusiasts” the opportunity to explore the cabin and the “spaceflight exposure”.

“Designing for weightlessness”

The cabin itself has been sized to permit an “out-of-seat weightlessness wisdom for the astronauts on board”. Many of the details have been built approximately this “critical part” of the experience. These include soft to all appearances and “intuitive” additions like hand and footholds which aim to allow autonomous and full movement around the cabin.

The centrepiece of the cabin is the “Halo” window creation which allows for 360-degree views of space. The twelve unselfish windows have soft extended edges in an attempt to facilitate the feeling moment.

In what is being called a first for space travel, there is a mammoth, circular mirror on the aft bulkhead (the rear component of an aircraft) which “allows astronauts to perspective themselves weightless while illuminated by the natural brightness of the Earth”.

Although the instruments have out-of-this-world destinations, many of touch points are familiar. The constitutions, colours and structures within the cabin have been chosen to “prompt a sense of confidence” from when travellers first board the spaceship.

Lighting has also been inured to as a way to create an emotional response. Multi-colour LEDs are concealed in the “Halo” window which is hardened to “subtly reflect back and therefore elevate, the human responses to each of the contrasting levels of flight”. At the “pinnacle” of the experience, as the Earth comes into view, all lighting in the chalet is turned off which seeks to create a “profoundly beautiful vista”, Virgin voices.

“Celestial”-inspired seats

Seats are individually sized and have been spawned using the “highest-grade” aluminum and carbon-fibre manufacturing techniques. The 3D knits deliver been developed by sports apparel manufacturer Under Armour. These arrange been designed with a blue colour palette; blues are meant to “conjure heavenly spaces” while the teals have been inspired by the ocean which “founds travellers back to Earth”. Golden metallics resemble “luminous leave high sands”.

The social media aspect of this experience has been a ride factor for its design. There will be 16 cameras in the cabin, and more mounted externally which require “generate high definition output”. Virgin says that this footage can be tolerant of for Instagram posts or a “beautifully edited and historically significant personal silver screen”.

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